The Designs Amendment Bill 2020 passed both houses in Australia on August 30 and is now waiting Royal Assent.
This bill introduces a 12-month grace period for design patents, bringing it in line with other significant jurisdictions such as the US, Europe and Japan, which already provide the year grace period.
Australia’s previous lack of a grace period meant that any disclosure would show up as prior art and therefore prove fatal to patent applicability in Australia. Now an American designer, for example, would be able to disclose the design in the US, and still apply in Australia within one year.
Thomas Rinaldi’s new book- Patented: 1,000 Design Patents, covers design patents, one per page and arranged chronologically, from 1900 to the present.
The book documents a shift in design patents over the years. Unlike utility patents, which cover how inventions function, design patents cover only the look of the object. Rinaldi traces the need for design patents back to the beginnings of mass production, when it became easier to produce objects on a large scale, and easier to copy designs.
When design patents were introduced in 1842, there were only 14 designs registered. By the 1930’s, the patent office was issuing 3,000 design patents per year, and 6,500 by 1941. That number wasn’t surpassed until 1989 but has since swelled to around 35,000 per year.
The huge increase in design patents today has come mostly from the tech industry. A landmark case between Apple and Samsung led to Apple being awarded $539 million. This amount was vastly larger than the usual sums awarded for design patent infringement, and in turn led to tech companies engaging in an arms race to patent as many details of their products as possible. These assets are included as part of patent portfolios that can be sold, licensed, or traded, and act as insurance policies against potential infringement litigation.
The book is really a documenting of design: both the stylistic changes through the decades, as well as the continuity of patent drawings, which to this day demand simple black linework on white paper. Pages will show evolution of products through the years, some relatively stable in their designs, others changing more radically. One can see on the pages the design paradigms of the shifting times- from more highly ornamental in the early decades of the 20th century, to the art deco look of the 30’s, to the ‘space age look’, etc.
You can find more information about the book here:
China has recently made some changes to the legal system allowing up to five times the punitive damages for intentional and serious intellectual property infringement. This is part of an ongoing commitment to making a more favorable environment for trade, investment, and innovation.
When can punitive damages be applied? When the defendant has been determined to have intentionally infringed IP rights and the circumstances were deemed serious.
Intentional infringement includes factors such as:
Continuation of infringement after having been notified and warned;
There have been any of a number of legal connections between the plaintiff and defendant;
Piracy of false use of registered trademarks;
Other circumstances that can be regarded as intentional infringement.
The seriousness of the infringement will consider factors such as continual infringement even after having been punished or deemed liable by the court, forgery, destruction or concealment of evidence of infringement, huge profits obtained from the infringement or huge losses suffered by the right-holder, endangering of national security, public interests, or personal health, etc.
Evidence of IP infringement is often difficult to get, and can cleverly hidden in a variety of ways, making it even more difficult for the rights-holder to obtain. Under the revised system, the method for calculating punitive damages is done with a proof obstruction system. Refusals by defendants to cooperate with providing the required records will constitute obstruction and they will bear adverse legal consequences.
The court go through a six-step process for determining punitive damages:
1) Determine if the IP right has been infringed
2) Review of punitive damages were requested
3) Determining if infringement was intentional
4) Determine if serious circumstances were involved
5) Determining the amount of punitive damages
6) Determine the multiple of the punitive damages
China has now provided a clear system to the courts for determining and applying punitive damages. This reduces the burden of proof of rights holders, and ultimately strengthens the protection of IP rights.
In US v Arthrex, 2021 US Lexis 3123, the Supreme Court found that PTAB (Patent Trial and Appeals Board) should have been nominated by the President and confirmed by the Senate. But instead of invalidating thousands of PTAB decisions, the Court held that PTAB determinations are reviewable by the USPTO Director.
From our perspective, nothing much has changed. We continue to have the same system we’ve had for decades. PTAB rulings have always been reviewable as a matter of right by the DC District Court, by the Federal Circuit, and theoretically, by the Supreme Court. The big change is that they are now also reviewable by the USPTO director.
The experience at Fish IP (both when we’ve won and when we’ve lost) is that the PTAB judges are really good at what they do. They understand the technology, and are extremely well versed in patent law. It almost certainly happens that there are biases from time to time, but there isn’t any reason to believe that the PTAB judges would be less biased if appointed by the president and approved by the senate.
Beginning the first of 2022, the USPTO will require submitting patent apps in the docx format. Well, technically not quite true- apps will still be accepted in pdf format but will cost extra. The process of uploading docx files will come with some new features that will show any errors in the formatting prior to submission, so changes can be made. The PTO says this will make it easier for them to extract the content internally.
Since our applications are created on Word, this will save a step in having to convert them to pdfs prior to submission, and should help eliminate font-not-included, content, and layer errors.
The Patent Office is currently hosting online training classes that demonstrate how the new system works.
To learn more, check out the USPTO’s page here.
A little promotional video featuring our office building at Main and Jamboree in Irvine CA.
The video is 3D, and the hi-rise buildings are 3D objects. But the surrounding buildings, trees and clouds are flat, 2D objects placed in the 3D scene, so the effect is like the camera moving around props in a diorama. Hope you enjoy it.
One of the challenges of patenting technology related to blockchain is that the subject matter is likely directed to one of the judicial exceptions (i.e., abstract ideas) that are not patent eligible. Moreover, the subject matter likely falls within one of USPTO’s enumerated groupings of abstract ideas, i.e., “certain methods of organizing human activity” (e.g., commercial interactions). To be patent eligible, the claims would need to include additional limitations that either integrate the abstract idea into a practical application or add significantly more to the judicial exception. This article offers insight on future developments in the fintech industry and on patenting blockchain related technology in the cryptocurrency space.