FRAND (Fair Reasonable And Non-Discriminatory licensing)

In May, the German Federal Court of Justice recently issued a landmark, 41-page decision that could well make Germany the “go-to” venue for patent owners in future FRAND licensing disputes.  In Sisvel v. Haier, the Court held that patent owners could satisfy FRAND requirements even if they provide different rates to competing licensees, at least when dealing with larger, multinational patent portfolios.  More information here.

Indian IP Office Extends Deadlines

The Controller General of Patents, Designs and TradeMarks (The Indian IP Office) has extended all trademark deadlines until further notice. 

Canadian IP deadlines extended again to August 10, 2020

The Canadian Intellectual Property Office (CIPO) has again extended deadlines on IP matters until August 10, 2020. Deadlines had previously been extended until July 17, but given the continuing impact of COVID-19, further measures have been taken to mitigate the disruption.

Herbs ‘R’ Us Branding Gets Wrecked

Canadian cannabis dispensary Herbs ‘R’ Us, rolled out a logo a little too reminiscent of the well-known Toys ‘R’ Us logo. Toys ‘R’ Us, feeling a little burned by the effort, sought to bring them down, and sued in Canadian Federal Court on the grounds that Herbs ‘R’ Us infringed its trademark rights, left consumers in a haze about where the brand came from, and diluted the buzz attached to the Toys ‘R’ Us trademark.

The Court accepted the case, but blunted the infringement and confusion complaints, having found it would be highly unlikely that consumers would be either dazed or confused into thinking Toys ‘R’ Us had started selling pot. The Court did, however, find that Herbs ‘R’ Us logo would, in fact, depreciate the Toys ‘R’ Us brand and ordered Herbs R Us to cease using the name, deliver up any packaging in possession for destruction, and pay $30,000 CAD in damages.

USPTO Launches Fast-Track Appeals Pilot Program

On July 2, 2020, the USPTO launched the “Fast-Track Appeals Pilot Program” which allows applicants to speed up the examination process on their most important inventions and get a decision in half the time of a normal application. The fee to Fast-Track an appeal is $400, and the USPTO estimates that an appeal will be read in six months under the program.


On June 30, 2020 the Supreme Court handed down a landmark ruling in trademark law: generic terms can be registered as trademarks when followed by .com.

Trademark law had, up to this time, held that generic terms are not registrable. For example, getting a trademark on the word “Farm”. Farm is a generic description of a type of property, and as such, it would be improper to grant rights of usage for the word to one party. In the same way a generic term couldn’t be combined with “Inc.” to bypass the principle, the PTO held that adding “.com” to a generic term yields a generic composite, not a distinctive mark.

It was this basic principle that led the USPTO to reject as eligible for trademark. So took the case all the way to the Supreme Court. The Patent and Trademark Office asked the Supreme Court to hand down a clear decision upholding the prohibition, arguing that overturning it could lead to large companies like, abusing smaller companies that use the generic term “booking” anywhere.

Instead, the Supreme Court, by an 8-1 decision, rejected the USPTO’s request on the grounds that if consumers perceive a term as not being generic, then it isn’t generic. This reasoning is consistent with trademark law, which is essentially motivated to protect consumers in their ability to know where a good or service is coming from. But the Court was clear that while they could not create a bright line rule prohibiting trademarks, neither would such names be automatically considered distinctive. A substantial amount of evidence would be required to convince the PTO that consumers view such names as trademarked.

This ruling will likely lead to another gold-rush of companies trying to register such names. Lacking the bright-line rule, the PTO will have to consider the merits case by case. We expect there will be no shortage of registration attempts and subsequent challenges over the marks.

Political Campaigns and Copyrighted Music

At a recent political rally, the Trump campaign played Tom Petty’s “I Won’t Back Down”. When the singer’s family found out, a cease-and-desist letter was sent, claiming that neither the singer, while still alive, nor his family, endorse the President and his political stances, and therefore don’t want Petty’s music associated with the campaign.

But despite copyrights on Petty’s music, there isn’t as much legal ground as the family might hope for ordering the campaign not to use the song.

Why is that? If they own the copyright to the song, then shouldn’t they be able to stop someone from using it?

When someone wants to use a copyrighted song, permission must be sought. But it is practicably impossible for a venue that plays a lot of music to reach out to every artist and ask permission for each song. Enter broad licenses issued by performance rights organizations like ASCAP and BMI. These licenses allow public venues to play a broad catalog of songs for a fee, without the risk of infringement. Usage under these broad licenses means that it is much more difficult to stop individuals from using specific songs.

Over recent years however, various artists have objected to their music being used for political campaigns. To address that, efforts have been made by ASCAP and BMI for artists to withdraw permission in these instances, by creating licenses for political entities that allow them to exclude individual songs.

But one proven way around that is the venues, arenas and stadiums, where the rallies take place have their own licenses, and those venues aren’t under the political entity rules.

If politicians can’t be stopped from using songs under copyright laws, the best recourse may simply be a public statement from the artist stating his views on the candidate. If the harm of using a song for a campaign rally boils down to people thinking the artist endorses the candidate, and the artist comes out with a vocal disavowal of the candidate and his campaign, it may even cause the campaign to look elsewhere for music, than from an artist vocally in opposition.